Source: http://elvisdecoded.blogspot.com/2011/01/cranial-autopsy-body-of-evidence.html
BY AND BY CANE AND A HIGH STARCHED COLLAR CAN T HELP FALLING IN LOVE CARNY TOWN
Source: http://feeds.celebritybabies.com/~r/celebrity-babies/~3/4twEwVNtIcY/
FUN IN ACAPULCO FUNNY HOW TIME SLIPS AWAY GIBLUES GENTLE ON MY MIND GENTLY
Superstar songstress belts 'Best Thing I Never Had' and 'The End of Time' from Glastonbury gig.
By Mawuse Ziegbe
Beyoncé performs at the Glastonbury festival on Sunday
Photo: Ian Gavan/Getty Images
Beyoncé didn't even have to be in the building to run things.
The "Run the World (Girls)" songstress wasn't able to attend the BET Awards in Los Angeles on Sunday (June 26) but that didn't stop the diva from rocking the crowd remotely by performing via satellite from her headlining gig at the Glastonbury festival in England.
Following an introduction from Ne-Yo, Bey started off with her 4 track "Best Thing I Never Had." Sporting a dark leotard under a sequined belted jacket and ankle booties, the superstar belted the power ballad in front of a packed audience waving international flags.
Bey then segued into another spankin' new 4 cut, the Afrobeat-powered jam "The End of Time." The hitmaker worked some Motherland-inspired grooves to the dancefloor-ready track, pumping her elbows and flinging her curls about, flanked by a quartet of similarly fierce dancers with big hair and snug leotards. After some muscled-up male dancers joined the party, the songstress kicked up the energy, leading the crew through a hip-twisting dance breakdown. Bey closed the uptempo set with a screen of pyro that rained onto the stage.
Earlier this month, when tracks from the star's highly anticipated album 4 hit the Web prematurely, Bey explained the inspiration behind her booty-jiggling anthems.
"When I record music I always think about my fans singing every note and dancing to every beat. I make music to make people happy and I appreciate that everyone has been so anxious to hear my new songs."
What did you think of Beyoncé's performance at the BET Awards? Let us know in the comments!
Related Photos Related ArtistsSource: http://www.mtv.com/news/articles/1666440/bet-awards-beyonce-glastonbury-festival.jhtml
Ana Beatriz Barros Ana Hickmann Ana Ivanovi Ana Paula Lemes Ananda Lewis
Source: http://www.thefrisky.com/post/246-todays-lady-news-062911/?eref=RSS
AFTER LOVING YOU AIN T THAT LOVING YOU BABY ALL I NEEDED WAS THE RAIN ALL SHOOK UP ALL THAT I AM
Source: http://www.mtv.com/overdrive/?artist=1102&vid=666246
EARTH BOY EASY COME EASY GO SUCH AN EASY QUESTION ECHOES OF LOVE EDGE OF REALITY
'Transformers' star says he ended up directing Cudi's 'Maniac' and 'Marijuana' videos because of mutual friend Cage.
By Kara Warner, with reporting by Josh Horowitz
From the outside looking in, the friendship and working partnership that actor Shia LaBeouf and rapper Kid Cudi have established recently seems only slightly unlikely. However, upon closer examination of Cudi's track record in working with Hollywood types, and LaBeouf's relationship with "Maniac" featured performer Cage, their collaborations on two of Cudi's videos, "Maniac" and "Marijuana," isn't that unexpected.
When MTV News caught up with LaBeouf recently as he promoted "Transformers: Dark of the Moon," we asked the aspiring director how the Cudi/Cage/LaBeouf magic began with music, and how it ended with a trip to Amsterdam's infamous Cannabis Cup.
"[Cage] is one of my good friends. Cage, Chris Palko, and I had been trying to make a movie about him for a while," LaBeouf explained. "Cudi hit [Cage] up and did a song with him. Cage sent me the song, called 'Maniac,' so initially, we started prepping this video, which is really like a short horror movie that I made that comes out on Halloween," he said. "In the interim, while we were finishing up the effects on it, [Cudi] told me he was going to Amsterdam for the Cannabis Cup."
LaBeouf jumped at the chance to continue working with Cudi, and joked that a trip to the legendary land where cannabis is legal was too good to pass up.
"It's as big as Spielberg," he said with a laugh. "It is for a 25-year-old male who has all these crazy fantasies about Amsterdam, which every male my age has, there's that college trip you always want to take," he admitted. "And to do that with Cudi when he's a judge, and I get to roll with him with my 8mm camera [like] an 'Easy Rider' documentarian, I felt like Cameron Crowe or something."
Despite all the references to the drug, that trip and the clip that came from it are Cudi's send-off to smoking weed.
"It was almost like an R.I.P. video to my whole smoking career," Cudi told MTV News of the "Marijuana" clip earlier this month.
What do you think of Shia teaming up with Kid Cudi? Let us know in the comments!
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A HOUSE THAT HAS EVERYTHING A HUNDRED YEARS FROM NOW A LITTLE BIT OF GREEN A LITTLE LESS CONVERSATION A MESS OF BLUES
Source: http://feedproxy.google.com/~r/RightCelebrity/~3/PL_7PTFtoeg/
Charli Baltimore Charlies Angels Charlize Theron Chelsea Handler Cheryl Burke
Just in case you haven't had enough BET Awards coverage to hold you over till next year.....The YBF caught up with 2011 host Kevin Hart backstage immediately after his HI-larious stint Sunday night. He dished on what REALLY happened with the whole Chris/Rihanna award mixup, plus all his personal highlights from the night.
That video plus us chopping it up with Keri Hilson, Diggy Simmons, Laz Alonso and more at Debra Lee's BET Awards Dinner inside....
BET's Stephen Hill has since issued a statement of apology for BET messing up the award for Viewer's Choice Sunday night on their end. The extra awkward moment of Fan Tiffany Green having her moment for life in front of 7 million viewers, just to be told something different than what was on her Sprint tablet (you know Sprint is pissy too). She announced Rihanna (due tot he teleprompter), but it was actually Chris Brown who won--which her Sprint tablet said.
Of course, comedian and host of the night Kevin Hart told us backstage just minutes after the show that it was a total mixup. Nothing intentional. And he's also got a crazy long list of work coming up. Loves him.
And Saturday night, we hit the red carpet of Debra Lee's 5th Annual BET Awards dinner in L.A. Diggy Simmons tells us his debut album iis dropping later this year, and we chatted with Keri, Estelle, Laz Alonso, and more....
VIDEO CREDITS: Correspondent Kalia Silva/Videographer Darren Banks
Abbie Cornish Adriana Lima Adrianne Curry Adrianne Palicki Aisha Tyler
Source: http://perezhilton.com/2011-06-28-kevin-smith-red-state-distribution
CANE AND A HIGH STARCHED COLLAR CAN T HELP FALLING IN LOVE CARNY TOWN CATCHIN ON FAST CATTLE CALL
The iconic sax man for Bruce Springsteen's E Street Band (and Lady Gaga) towered over contemporary music for nearly five decades.
By James Montgomery
Clarence Clemons
Photo: Getty Images
Clarence Clemons was affectionately known as "The Big Man," probably because, well, he was a big man. Standing six-feet, four-inches tall -- and nearly just as wide -- he towered over Bruce Springsteen, the E Street Band, and whomever else he shared the stage with during his five-decade career, casting a shadow as formidable as it was striking (it's no wonder Bruce decided to lean on him, like some sort of lamppost, on the cover of 1975's Born To Run).
But his physical size only told part of the story. Because Clemons was also a massive talent, a saxophonist as adept at filing an arena with his booming solos as he was providing a rock-solid backbone to Springsteen's churning, yearning rock. He was the Big Man because everything ran through him, because he was capable of both taking the lead (like on "Jungleland") and laying back in the cut (like on "10th Avenue Freeze Out," where his presence definitely shapes the song, but at no point overshadows its other components), and because of the tones he charmed from his sax ... crisp and clear-eyed, grandiose yet gritty, big yet decidedly blue-collar (just like he was), no one played like Clarence did. And when he died on Saturday at the age of 69 after complications from a stroke he suffered last week, not only did we lose a mountain of a man, but an icon as well.
See photos of Clemons throughout his career.
Simply put, Clemons was the most prominent sax player in popular music. And as proof, I'll ask you to name any of his contemporaries. Chances are, you can't; not because they don't exist, but because they couldn't begin to approach his stature. He was the go-to guy when the stars needed a session hand (recording with the likes of Aretha Franklin and Twisted Sister, and performing live with everyone from the Grateful Dead to Ringo Starr,) and, more recently, Lady Gaga tapped him to perform on her Born This Way album -- he appears in her new "The Edge Of Glory" video, a move that no doubt introduced his sublime playing to a whole new generation of fans. Shoot, he even appeared on "The Simpsons," "The Wire" and "Bill & Ted's Excellent Adventure," where he played, fittingly enough, one of the Three Most Important People in the World.
Remember Clemons with us on Facebook.
In passing, he leaves behind a catalog that's nearly as massive as his frame: not only his notable guest appearances, but several solo albums (and records he cut with backing bands like the Temple of Soul and the Red Bank Rockers) and, of course, the myriad of albums he cut with Springsteen and the E Street Band. And it's on those recordings -- starting with 1973's Greetings From Asbury Park, N.J. and continuing right on through 2009's Working on a Dream and last year's reissue The Promise -- where Clemons not only shone the brightest, but also showcased the reason why he earned his "Big Man" nickname. Sure, he burns on songs like "Badlands" and "Born To Run," but listen to his work on songs like "Prove It All Night" and "Dancing in the Dark" (to name six dozen) ... the times where he proves to be the Bigger Man, letting his fellow bandmates get their share, too.
Rarely has there been a player so soulful and selfless ... one so secure in his own status that he was willing to let others shine. It's why Clarence Clemons will forever be known as "The Big Man," and why, even in death, he still casts a formidable shadow over popular music and popular culture. He was the sax man's sax man. To paraphrase Springsteen on "Freeze Out," not only was the change was made uptown when the Big Man joined the band, but the mould was broken, too.
Related Photos Related ArtistsSource: http://www.mtv.com/news/articles/1666007/clarence-clemons-career-dead-dies-69.jhtml
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Source: http://www.mtv.com/overdrive/?artist=1270&vid=544989
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Source: http://www.celebritygossiphollywood.com/general/celebrity-hair/2011-sag-winners/
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In her newest video, Gaga pays homage to classic clips of the 1980s.
By James Montgomery
The first thing that strikes you about Lady Gaga's "The Edge of Glory" video is the fact that it's steeped in the rich, gauzy traditions of classic pop clips and noticeably missing any of the allegories, agendas or, uh, afterbirth of her previous work.
Simply put, "Edge" is an homage to an entire genre of videos that has since gone by the wayside — namely, the eternally soft-focused, ethereal mini-movies of the 1980s, (mostly) pop productions that reimagined cityscapes as dream-like fantasy worlds, where the just-wet streets shone like mirrors, the manholes frothed with steam and no piece of fabric was left un-billowed. These were decidedly big-budget, unapologetically Hollywood things, shot on studio backlots, glowing with million-dollar lighting budgets and given extra grandeur thanks to sweeping, soaring crane shots. They made no attempt to portray reality as anything of the sort — because, much like the songs they accompanied, there was rebellion in that fantasy — or of hiding their excesses. And, not surprisingly, as the decade came to a close, and earnestness began to reign supreme, they slowly disappeared (surely, their big budgets didn't help their fate either).
But with her new clip, Gaga resurrects the epic videos of the '80s once again. And, seemingly, all at once. There truly are too many nods to the classics to list individually, and really, that's beside the point. With "The Edge of Glory," LG is paying tribute not to individual artists, but to an entire genre. Still, there are some whose influence stands above the rest, and we've combined them into one handy cheat sheet. Of course, in keeping with her tradition, not all of them come from the 1980s. Because if there's anything Lady Gaga has proven, it's that she refuses to be fenced in. Here's our list:
Bonnie Tyler: Welsh-born belter whose better-known videos (like "Total Eclipse of the Heart" and "Holding Out for a Hero") practically set the standard for the fantastical pop videos of the 1980s. Soft focus, arching crane shots, achingly staged lighting — they're all there, and they're all on display in "Edge of Glory" too.
Blondie, "Rapture": One of the earliest examples of the ethereal '80s (it was released in 1981), the video follows Debbie Harry on a dream-like traipse through the streets of New York City, complete with guest appearances by Fab Five Freddy and a shuffling Uncle Sam (to name just a few). It makes no sense, because it's not supposed to.
Cyndi Lauper: Gaga's good friend and, along with Madonna, perhaps the premier '80s video star, Lauper's classics — be they the good-natured rebellion of "Girls Just Want to Have Fun" or the moody, arty "True Colors" — both seem like spiritual successors to "Edge."
"Fame": Epochal tale of performing-arts students living and loving in NYC during the early '80s, it's spirit and style have long influenced Gaga's work. With its dance moves and dreamy, freedom-in-the-streets scenes, "Edge" is perhaps the best example of that.
"Flashdance": Prototypical "girl finds escape in dance" film from 1983, it stars Jennifer Beals as a steelworker/dancer who dreams of a better life. Not only are the same sentiments echoed in "Edge," but Gaga pays tribute to the film's most memorable scene — where Beals reclines in a chair and is doused in water — by striking a similar pose outside her apartment building.
George Michael: Before he became known for his various, uh, exploits, Michael was the biggest British pop star of the 1980s, and as such, he churned out some appropriately huge music videos. Two of his biggest — "Father Figure" and "Careless Whisper" — seem to have influenced Gaga with their gauzy, steamy portrayals of late-night life in the big city and, in the case of "Whisper," that balls-out sax wailing.
Michael Jackson: You can't write anything about videos from the 1980s without mentioning MJ, who took the art form to rarely duplicated heights. Usually, his clips were fantastical things, but occasionally, he also got gritty, and it's those moments (videos like "The Way You Make Me Feel" and "Billie Jean") that seem to have stuck in Gaga's mind.
"Newsies": The 1992 Disney musical is most notable for its initial "flop" status and its subsequent rebirth as a cult classic. It tells the story of newsboys on strike in New York City, and in classic scenes like Christian Bale's performance of the song "Santa Fe," it takes that struggle to the twisting fire escapes of the city. Sort of like "Edge of Glory," really.
"Rent": Broadway retelling of Puccini's "La bohème," set in the Lower East Side in the early 1990s. As some have noted, Lady Gaga seems to be paying tribute to the choreography of one particular number ("Out Tonight") as she dances on the fire escape.
"West Side Story": One of the best-loved Broadway musicals of all time, "Story" was remade as a film in 1961 and went on to win a whopping 10 Oscars, including Best Picture. As you can expect, there are plenty of street scenes and fire escapes in both the film and the stage show, but perhaps the most famous is "Tonight," where the story's star-crossed lovers profess their love for one another high above the city. Sure, Maria never tears off her Versace silk, but you seemingly cannot film a scene on a fire escape without recalling this classic, and, in "Edge," there's certainly a lot of the former.
Did we miss any influences? Let us know in the comments below!
Related Photos Related ArtistsSource: http://www.mtv.com/news/articles/1665991/lady-gaga-edge-of-glory.jhtml
Jaime King Jaime Pressly Jamie Chung Jamie Gunns Jamie Lynn Sigler
Source: http://feeds.celebritybabies.com/~r/celebrity-babies/~3/STvMywBX9mE/
Leelee Sobieski Leighton Meester Leila Arcieri Lena Headey Leonor Varela
Singer covered songs ranging from classic 'Pleasure Principle' to 2008's 'Feedback' at New York show.
By Vaughn Schoonmaker
Janet Jackson (file)
Photo: Christopher Polk/ Getty Images
NEW YORK — Often imitated, never duplicated, Janet Jackson's outbursts of meticulous choreography, sassy exclamations and smoldering gazes into the audience kept them on their feet for the entire two-hour set of her greatest hits at Radio City Music Hall. Monday night marked the last of three sold-out shows at the historic venue on her monumental Number Ones: Up Close and Personal Tour.
Up-and-coming boy band Mindless Behavior opened the show with songs including "#1 Girl," "Future" and their debut single, "My Girl." With their Usher-esque dance moves and shouts like "Where the ladies at?" the boys brought the tween girls out of hiding, judging by the shrill screams escaping various corner of the music hall.
At 9:00 sharp, the lights went down and Janet's fans were on the edge of their seats, watching music videos for "The Best Things in Life Are Free" and "Rhythm Nation" projected on big screens across the venue. A small shadow drifted toward center stage, and when the colorful lights came up, Jackson, wrapped in a shoulder-padded catsuit, complete with slick short hair, blasted into "The Pleasure Principle," dancing as hard and intensely choreographed as she did when the song first came out in the 1980s.
With barely a spare second between songs, Janet dazzled her way through her biggest hits, including "Miss You Much," "All for You" and "Nasty," and more recent hits like 2008's "Feedback."
Videos displayed during Jackson's costume changes included vintage clips from "Diff'rent Strokes," a funny scene from "Poetic Justice" where Jackson slyly rejects the advances of Tupac Shakur's character, and a rather heavy scene, as Jackson's character in "Why Did I Get Married" destroys her husband's house with a golf club, screaming hysterically.
Considering the tough couple of years the Jackson family has faced, the dark moments in the video seemed fitting, and everyone was beside themselves with bittersweet joy when Michael Jackson's face popped up on the big screen and she performed their hit single "Scream."
Janet emerged for her encore in a tight white one-piece disco suit, and performed "Diamonds," "Make Me" and "Together Again," which appeared to be the biggest hit of the evening. As Jackson graciously bowed out, her straight face transitioned into a smirk, suggesting that despite the hard times she has experienced recently, we can expect to see this singing and dancing pop legend shine far into the future.
"Its amazing!" Janet fan Elena Mercantini gleamed afterward. "It's like she's still 20 years old!"
"She's hot, she's amazing and she's still got it after all these years" added Alison Klinger of Long Island. "Best concert I've ever been to!"
Related Photos Related ArtistsSource: http://www.mtv.com/news/articles/1660385/janet-jackson-radio-city-concert.jhtml
FIRST IN LINE FIVE SLEEPY HEADS FLAMING STAR FLIP FLOP AND FLY FOLLOW THAT DREAM
Chris Marrs Piliero-directed clip features 'Weeds' actor Guillermo Diaz.
By Jocelyn Vena
Britney Spears in her "I Wanna Go" music video
Photo: Jive
Britney Spears proved her comedic chops on the small screen in her cameo on "How I Met Your Mother," and now she's once again displaying her funny bone in the video for "I Wanna Go," which dropped Wednesday (June 22).
Like he did with Ke$ha before, director Chris Marrs Piliero makes off-kilter pop culture references and pokes fun at the idea of the sexy pop star. There's a number of Spears-related references, including a polka dot bikini top as an homage, perhaps, to Minnie Mouse, her skull-wearing Mickey Mouse ears T-shirt and a movie theater marquee that reads "Crossroads 2: Cross Harder."
Spears has touched on her relationship with the media in the past, but perhaps not with this much humor or self-deprecation.
The video opens with a press conference, where reporters ask the superstar crazy questions such as, "Is it true you banned junk food, smiles, candy, sunshine and laughter from your Femme Fatale Tour?" The answer: Yes, obviously.
"Can you confirm reports that you're pregnant with Brad Pitt's love child?" The answer: "That is false: It's quintuplets."
Eventually annoyed by the onslaught of increasingly dumb questions, Britney declares, "F--- you" to the reporters in the room. The only person who passes the test is "Weeds" and "Half Baked" star Guillermo Diaz, who is hanging out, wearing a hat that only the Burger King could love. She then dashes out onto the streets in her Avril Lavigne-worthy, pop-punk princess finest.
It seems Britney has decided to live life on her own terms. She grabs the bum of an autograph-seeking fan. Then, she flashes a group of men, and as a cop tries to arrest her, she has her way with him right there on the street. Britney just doesn't care anymore, and why should she? She's finally having fun.
Britney displays the sass and charm fans fell in love with a decade ago during performance shots, where she flirts with the camera, her eyes as big and wide as her smile.
Fans are back with her as she makes her way around town and, of course, the paparazzi have found her. For one photographer, she gives an impromptu fashion shoot before smashing his camera. And when she finds herself surrounded by more of his cronies, she takes them out one by one with any singer's best weapon: her microphone.
There's a surprising turn, however: As the mic slams itself against the photogs, pulling the skin off their bodies, it reveals that they are cyborgs, much to Brit's dismay. So, what's a girl to do?
She's rescued by Guillermo, who drives her through the desert. She dances in the car, wearing only a bikini top and miniskirt. And just when she thinks she's safe, it's revealed that he too is a cyborg. Can't Brit ever catch a break?
The video returns to the press conference, where the pop star awakes from a daydream and reveals, "Guillermo, I had the strangest dream."
"I love dreams," he tells her. "And seashells," he says, placing several in her hand. "Come on, let's get out of here."
But, is Britney truly safe with Guillermo? In an homage to the final frame of Michael Jackson's classic "Thriller" video, the clip closes with Diaz turning his head toward the camera to reveal his red, glowing robot eyes.
Share your review of the "I Wanna Go" video in the comments below!
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Chyler Leigh Ciara Cindy Crawford Cindy Taylor Cinthia Moura
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Jennifer Aniston and Justin Theroux were spotted leaving an apartment in NYC this afternoon. The duo have been spending time on the East Coast together since last week when they were seen wearing matching rings on the street. Jennifer and Justin took their romance to another level on Tuesday though, since the couple allowed Terry Richardson to photograph them getting cozy during a dinner date. Terry and Justin were back out in the Big Apple without Jennifer yesterday, but it looks like she and Justin haven't strayed too far since rumors of their relationship started last month.
View Slideshow ?Source: http://feedproxy.google.com/~r/popsugar/~3/sOrCUfa5WSs/Jennifer-Aniston-Justin-Theroux-NYC-17988551
Change Of Habit Elvis That s the Way It Is Elvis On Tour The Rainmaker A BIG HUNK O LOVE
Singer will hit the road again on August 9 in Vancouver following her doctor-ordered hiatus due to laryngitis.
By Jocelyn Vena
Adele
Photo: Stefan M. Prager/Redferns
After canceling her North American tour earlier this month due to laryngitis, Adele has just announced the rescheduled dates for the trek. She will resume performing beginning on August 9 in Vancouver.
After the stop in Canada, the tour circles back around to missed tour dates on the West Coast and in the Midwest, wrapping up on August 24. Adele is also set to add six more dates to the tour, stopping in Las Vegas; Atlantic City, New Jersey; Durham, North Carolina; Orlando, Florida; Miami; and Spring, Texas from October 7 through October 21.
Despite the health setback, Adele's album 21 has been bouncing around the top of the charts for more than three months now. Atop the charts for the last 10 of the 17 weeks it's been out, this week it lands at #3, falling behind Bad Meets Evil's (better known as Eminem and Royce Da 5'9'') Hell: The Sequel as well as 11-year-old "America's Got Talent" soprano opera singer Jackie Evancho's Dream With Me.
So, why is Adele so unstoppable this year? "It shows the power ... of her fanbase. You've got a song that's performing very, very well, still being discovered by new people every week," Nielsen SoundScan's senior vice president of analytics Dave Bakula told MTV News. "You've got an artist here who wasn't a household name prior to this record coming out, so you do still have that discovery process going on with her.
"What it really goes to show is the fact that there still are that many people discovering the album every week," he added. "I think it shows a lot about the latent demand that is out there for great music."
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EARTH ANGEL EARTH BOY EASY COME EASY GO SUCH AN EASY QUESTION ECHOES OF LOVE
Source: http://moviesblog.mtv.com/2011/06/22/sucker-punch-music-video-love-is-a-drug/
FUN IN ACAPULCO FUNNY HOW TIME SLIPS AWAY GIBLUES GENTLE ON MY MIND GENTLY
Them Crooked Vultures make their debut with a post-Lollapalooza set.
By James Montgomery
Dave Grohl (file)
Photo: Jewel Samad/AFP/Getty Images
Officially, Lollapalooza ended Sunday night in Chicago's Grant Park, with dueling sets from the Killers and Jane's Addiction. Unofficially, it ended very early Monday morning, across town at venerable rock club the Metro, with a surprise show by Them Crooked Vultures.
To the unfamiliar, the Vultures might seem like an odd choice to close out Lolla weekend ... until you realize that they're made up of Foo Fighters frontman/ former Nirvana drummer Dave Grohl, Queens of the Stone Age mastermind Josh Homme and Led Zeppelin legend John Paul Jones. And their gig at the Metro was their world premiere.
According to some reports, the Vultures actually turned down Lollapalooza founder Perry Farrell's request to replace the Beastie Boys as headliners at the festival, opting to debut in front of some 1,100 super-psyched fans at the Metro, rather than 75,000 in Grant Park (tickets for the gig were announced via Foo Fighter/ QOTSA fan clubs). Meaning that, in a lot of ways, this was the most sought-after ticket in town.
Taking the stage just after midnight, the Vultures — Grohl on drums (of course), Homme on guitar and vocals, Jones on bass and keys and frequent QOTSA contributor Alain Johannes on guitar — ripped through 12 songs in 80 minutes, all taken from their upcoming debut, which may or may not be called Never Deserved the Future, and may or may not be hitting stores on October 23 (early "promo" videos touting both those facts were revealed over the weekend to be hoaxes perpetrated by QOTSA fans).
The songs, with appropriately Homme-ian titles like "Scumbag Blues," "Mind Eraser (No Chaser)," "Caligulove" and "Interlude w/Ludes," sounded pretty much how you'd expect, given the band's pedigree. They rocked, hard — Chicago Tribune critic Greg Kot described them as "fresh, invigorating and just plain nasty" — delving off into psychedelic, reverb-filled excursions and exploring proggy territory, "both of the old-school Yes variety, and the more modern Tool flavor," according to the Chicago Sun-Times' Jim DeRogatis.
It's not known if Monday's Metro performance was a one-off event for the Vultures — there have been whispers of a full-blown tour, but a spokesperson for Homme had not responded to MTV News' request for comment at press time. Nor was it clear whether or not they'll have an album out in October.
Early Monday, a Crooked Vultures Twitter account, which had previously posted links to the band's official-looking Web site and the Metro's online ticketing site — posted a link to what appears to be the group's first bit of official merchandise: a Deserve the Future T-shirt. Cost: $30.
Related Videos Related Photos Related ArtistsADAM AND EVIL AFTER LOVING YOU AIN T THAT LOVING YOU BABY ALL I NEEDED WAS THE RAIN ALL SHOOK UP
In her 'Britney Spears: I Am the Femme Fatale' special, she calls the 'OMG' singer 'really hot right now.'
By Jocelyn Vena, with reporting by Sway Calloway
Sway Calloway and Britney Spears
Photo: MTV News & Docs
What do Britney Spears and Usher have in common? Well, they are both global superstars with a back catalogue of tunes that have kept fans dancing for a really long time and they both recently hooked up with will.i.am for tracks on their latest releases (the Black Eyed Peas mastermind worked on the pop vixen's Femme Fatale tune "Big Fat Bass"). And, if Spears has her way, she and the "OMG" singer could be hitting the road together.
When Spears sat down to talk with Sway Calloway for her "Britney Spears: I Am the Femme Fatale" special — airing Sunday (April 3) at 9 p.m. ET on MTV — the singer revealed that Usher is first on her list of artists she'd like to join her on tour.
"Oh, I'm so excited. I'm really excited about going on tour, very," she explained about her forthcoming summer trek, which happens to have a spot open on the bill now that Enrique Iglesias has pulled out of the gig. "I think Usher's really great right now. I think he's really hot right now. That would be cool [to tour with him]."
The North American road trip is expected to kick off June 17 in Sacramento, California, and will run for 26 dates, winding up on August 13 in Toronto. More details will be announced soon.
The "Britney Spears: I Am the Femme Fatale" special is a mixture of behind-the-scenes footage of the singer as she wraps up production on her album, which dropped this week, as well as an inside look at her life and fans. In addition, those who couldn't make Spears' recent nightclub show in Las Vegas will get to see her as she takes the stage in her latest pop incarnation.
Don't miss "Britney Spears: I Am the Femme Fatale," airing Sunday (April 3) at 9 p.m. ET on MTV.
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